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2019 The Shift from Paganism to Monotheism in Epic Poetry

The epic is a lengthy work of literature concerning a serious subject containing details of heroic deeds and events significant to a culture or nation. These epics are products of the culture they were recorded in, so they carry the information about the lives, culture, belief systems and customs of the nations and people in which they are produced. The first epics Gilgamesh, Iliad and Odyssey were all produced in a polytheistic belief system. The composer of Gilgamesh, and Homer produced and reflected the belief systems of the culture they lived, however these systems can hardly be called a religion. In the epics of Beowulf and Dede Korkut Stories there are discussion on whether the texts were written by some clerks and the thoughts and religion inside the text are censured of altered. In these two epics, traces of Nordic Paganism and Shamanism as well as the Christian and Islamic elements can be detected. Some epics written in the early 11th and 12th centuries are all based on monotheistic ideals and procedures. These are listed in the genre of chanson de geste such as the Song of Roland and The Poem of the Cid. Following the chronological composing dates there is a clear turn from paganism and polytheism to monotheism. In this paper, the heroes and the ideals of the mentioned epics in terms of the codes they present us about the belief systems of the past generations will be analyzed.

International Congress of Human and Social Sciences Research
İTOBİAD

Mustafa CANLI

284 264
Subject Area: Social Sciences Broadcast Area: International Type: Oral Paper Language: English